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Vikingur Olafsson - Debussy - Rameau (Lossless, Hi Res 2020)

Classical  Solo Instruments
 
Fecha: 31 marzo 2020
Añadido: SergShicko
Visualizaciones: 1097
  • ARTISTA: Víkingur Ólafsson
  • ÁLBUM / TÍTULO: Debussy - Rameau
  • AÑO / FECHA DE SALIDA: March 27, 2020
  • PAÍS: Iceland
  • ESTILO: Classical, Piano
  • ETIQUETA: Deutsche Grammophon
  • DURACIÓN: 01:19:11
  • FORMATO: FLAC (tracks) 24bit / 48kHz
  • CALIDAD: Lossless

  • PUNTUACIÓN: 10 / 3    
  • VOTAR:

  • DESCARGAR: DESCARGAR TORRENT
  • СИДЫ:

Descripción del álbum




1. La damoiselle élue, L. 62 : Prélude (3:52)
2. Le Rappel des oiseaux (2:41)
3. 6. Rigaudons 1, 2 & Double (1:02)
4. Musette en rondeau (3:14)
5. Tambourin (0:56)
6. La Villageoise (1:20)
7. Gigues en rondeau 1 & 2 (3:43)
8. Estampes, L. 100 : 3. Jardins sous la pluie (3:55)
9. Children's Corner, L. 113 : 3. Serenade for the Doll (1:58)
10. Children's Corner, L. 113 : 4. The Snow Is Dancing (2:24)
11. Les tendres plaintes (2:37)
12. Les tourbillons (1:42)
13. L'entretien des Muses (2:59)
14. Préludes / Book 1, L. 117 : 6. Des pas sur la neige (3:53)
15. La joyeuse (0:58)
16. Les Cyclopes (2:57)
17. The Arts and the Hours (4:45)
18. Préludes / Book 1, L. 117 : 8. La fille aux cheveux de lin (2:24)
19. Préludes / Book 2, L. 123 : 8. Ondine (4:14)
20. Cinquième concert : 2. La Cupis (4:12)
21. Quatrième concert : 2. L'indiscrète (1:06)
22. Quatrième concert : 3. La Rameau (2:12)
23. La Poule (2:39)
24. L’Enharmonique (3:53)
25. Menuets 1 & 2 (2:44)
26. Les Sauvages (1:24)
27. L’Égyptienne (2:13)
28. Images - Book 1, L. 110 : 2. Hommage à Rameau (7:14)


Fresh from his hugely acclaimed and multi -award-winning album Johann Sebastian Bach, Icelandic pianist Víkingur Ólafsson’s third Deutsche Grammophon recording pairs works by two revolutionary French composers separated by a century and a half: Jean-Philippe Rameau and Claude Debussy.

Debussy is most often called an impressionist. “People get lost a little bit in sound for the sake of sound”, Ólafsson comments. But the composer was also “a real perfectionist... there is this incredibly refined structure at work.” Rameau, “the bad boy of the French baroque”, likewise combined a strong sense of structure with a fondness for breaking conventions: “He broke the rules and paved the way for new ideas, new creativity, new spontaneity.” What unites the two composers, Ólafsson comments, is “a kind of freedom and discipline, juxtaposed”. The album Debussy & Rameau alternates music by the two composers, creating an enthralling dialogue between them. Works are drawn from across both composers’ careers, with the Debussy selection including well-known miniatures such as La Fille aux cheveux de lin as well as the less familiar Prelude to La Damoiselle élue arranged for piano solo.

Rameau’s works are mainly drawn from his Pièces de clavecin collections of between 1724 and 1741. One of the album’s centrepieces is Ólafsson’s own Rameau arrangement The Arts and the Hours. Ólafsson’s album concludes with a piece that connects the two composers directly: Debussy’s Hommage à Rameau from Images book 1, a moving sarabande written as a tribute from one rule -breaking composer to another.


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Comentarios (5)


16 abril 2020
psense   
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1 abril 2020
poshoclin   
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31 marzo 2020
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31 marzo 2020
boxgreen   
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31 marzo 2020
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Muchas Gracias



 

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